Almost two years ago Kari Woodrow wrote about Lumberjanes #1 here on this site. Her conclusion was that everyone needed to be reading this comic. Having read issues #1-20, I must agree. When I relaunched Comic POW!, I set a focus for the site that
American Vampire has always been more about America than vampires. Because America has always been portrayed as a land of opportunity, it has always attracted those most desperate for that opportunity. That has often led to the exploitation of those least able to defend themselves.
Two things attracted me to C.O.W.L.: the subject matter and the author. I knew Kyle Higgins from Nightwing Vol 3 (AKA New 52 Nightwing) where I enjoyed his writing. C.O.W.L. takes place in Chicago in 1962 when unions are still strong and the Chicago Organized
The most important thing you need to know about this title is that it is pure, unadulterated pulp. It is cheesy in a throw-back sort of way and it celebrates that. I’ve been getting a lot of pulp and neo-pulp from Dynamite for some time
At the end of volume 8, we’re just past the 1/3 point without counting the spinoffs. Bill Willingham seems, at this point, to perhaps be following a three act structure. Of course, bear in mind, dear reader, that I’m reading these for the first time
I read Wytches back in September before Baltimore Comic-Con because I wanted to be able to talk to Scott Snyder about how it was a personal meditation on what it means to be a parent. Snyder being as popular as he is, I was unable
I read Scott Pilgrim in its original manga-sized, black and white form when it first came out. With the final volume of the color version coming out this year, I thought it would be a great time to revisit the story as well as looking
I was sure I knew how this was going to go. I’ve seen plenty of anime with this same plot. Usually the guy gets an android because either he’s too shy around girls or because he’s a loser (at least by cultural standards). However, instead
By this time, long-time readers of Comic POW! will know that I have been exploring pulp comic storytelling via Dynamite’s offerings. As the main deal-makers with many of the rights holders of the old pulp characters, Dynamite is leading the way in neo-pulp in comics.
When I started the relaunch of Comic POW! while taking Christy Blanch’s gender dynamics-based comics MOOC, part of the premise was that comics are a product of the times in which they’re created. This has been true of many of the comics I (and other
Volume 5 is all over the place, but it does seem to continue to follow Willingham’s trend of providing some thematic respite after a heavy plot. So this volume starts off with the notion of Bigby’s spies around the world, particularly Cinderalla who, with me
I read Scott Pilgrim in its original manga-sized, black and white form when it first came out. With the final volume of the color version coming out this year, I thought it would be a great time to revisit the story as well as looking