Gail Simone Spotlight Panel

Baltimore Comic-Con Day 3: My Itty Bitty Interview with Gail Simone

If there was one person who could rival Mark Waid for being mostin-demand at Baltimore Comic-Con 2014, it was Gail Simone. This writer was on multiple panels, gave the keynote speech at the Harveys, and spent nearly every OTHER hour of the convention signing autographs and speaking to her fans. But after reading her first Secret Six arc and her first Red Sonja arc, I REALLY wanted to talk to her. So, I think it was quite fitting that my Red Sonja analysis was one of the shortest I’ve written since the relaunch of the site and this interview is the shortest one I did at Baltimore Comic-Con 2014. I spoke to her about one of the key issues I’ve seen across her work: sisterhood.

She touches on fatherhood in Birds of Prey and if I hadn’t been so nervous from taking away time from an incredibly long line of other fans, I would have mentioned that I also saw fatherhood issues when I read Red Sonja. I think it’s quite important that Gail Simone sees the importance of sisterhood in storytelling. While it’s a real facet of life (I see with my wife and her sister), when it comes to storytelling, we’re left with women fighting with each other and competing for status or for a man. While that also does happen in real life, it’s annoying to only see the negative aspects displayed in most of our pop culture. Many of my other questions about were answered in her other panels. (Sometimes asked by me!)

Gail, if you read this, thanks once more for taking time to speak with me, I could have geeked out with you for hours if only I could have poofed everyone away from the convention. Maybe I’ll get Molly to set it up …. somehow.

Gail Simone signs and speaks to fans
Gail Simone signs and speaks to fans
Fantasy Mario Brothers

Baltimore Comic-Con Day 3 Liveblog

Don’t know how much liveblogging I’ll get to do as the data connections were horrible yesterday with so many people in one place. But, I’ve got things setup just in case.

16:43

#bcc2014 is over for me. Articles and cosplay photos coming soon

14:08

#bcc2014 just saw @mattfraction Hawkguy & pizza dog cosplay. Most original Hawkeye cosplay I’ve seen

14:05

#bcc2014 Lois Lane panel. Excited!

13:05

#bcc2014 Dynamite pulp panel

12:57

#bcc2014 next time please don’t schedule panels during the costume contest

12:07

Surprised not to see any Saga cosplay #bcc2014

11:48

#bcc2014 walking to lunch I see a lot of Ravens cosplayers. q;o)

10:51

#bcc2014 @gailsimone thanks so much for talking to me

09:51

OK, #bcc2014 let’s do this!

09:26

#bcc2014 OK, it’s my last day to try and get my short interview with @gailsimone . Surely everyone who wanted her to sign something got it already, right? q;o)

Joker Gang

Baltimore Comic-Con Day 2: Cosplay Overload!

There were a few cosplayers out on Friday, but today they came out in droves! Lots of amazing costumes! I noticed a few trends this year. First, lots of gender-bending. Especially a lot of female Captain Americas. Second, lots of race/ethinicity bending. This is awesome because something as silly as skin color should never stop you from cosplaying as your favorite character. Finally, lots of victorian, steam punk, and other types of time-bending with the costumes.

Well, enjoy Day 2 of Baltimore Comic-Con Cosplay!

 

CBLDF Panelist

Baltimore Comic-Con Day 2: Interview with Charles Bronstein of the CBLDF

I am extremely against censorship, I speak about that more often on my personal blog, but it is can sometimes be a real issue with comic books. Within this interview I mention the panel about the Comics Code and it certainly was harmful to the industry. It is at least partially responsible for the fact that we’re just now getting back to where we were in the 50s in terms of comic book genres. But I wondered, with the Internet around and (in the USA) unregulated, what does the Comic Book Legal Defense Fund need to do? So I spoke with Charles Bronstein about it.

This is an absolutely huge topic that I could have spoken to Charles for at least an hour, if not more, about. Important takeaways from the interview:

  • If your school district is banning comics, read and distribute this pamphlet and consider talking to the CBLDF about getting some visibility on the banning. As Bronstein said in the panel, as a parent it’s your right not to have your child read something you find objectionable, but it’s not your right to ban everyone else’s child from reading it!
  • Don’t take freedom of speech on the Internet for granted (even in America!) CBLDF had to fight for your right to have uncensored comics online. Free speech is a never-ending fight!
  • Comics ratings are OK as long as they’re used as a marketing tool, not imposed from above or used to ban books from being sold
Mark Waid at Baltimore Comic-Con 2014

Baltimore Comic-Con Day 2: Interview with Mark Waid

Just like when I spoke with Mark Waid two years ago, he is a VERY busy man at this convention. He is on nearly every panel and is incredibly popular with attendees seeking to speak with him and get his signature. So, first of all, a huge thanks to Mark for taking 5 minutes to talk with me. The conversation focused on the present and future of digital comics this time:

I mention his Thrillbent panel from yesterday, which you can listen to here. We spoke about moving Thrillbent to a Netflix-like model, other sites moving away from DRM, and running a brick and mortar comics store.

Mark Waid at Baltimore Comic-Con 2014
Mark Waid at Baltimore Comic-Con 2014
Dynamite 10th Anniversary Panel

Baltimore Comic-Con Day 2: Panels Panels Panels!

Comic Book Legal Defense Fund: Tales from the Code

CBLDF Panelist
CBLDF Panelist

There are lots of great books to read about the comics code and why it came into being. I recommend The Ten-Cent Plague: The Great Comic-Book Scare and How It Changed America. The neat thing about this panel was having Jim Starlin talk about how it did or, often, didn’t affect his writing. It appears that he took the stance that he’d write what he wanted to write and it was up to the editors to tell him to change something because of the comics code. Continue reading