I read Scott Pilgrim in its original manga-sized, black and white form when it first came out. With the final volume of the color version coming out this year, I thought it would be a great time to revisit the story as well as looking at how the addition of color changes things. I’ll be exploring the story and themes volume by volume. This time, volume 4.
As far as their extended adolescence goes, this volume represents a major shift for a lot of the characters. This volume is when we realize that we’re seeing the end of something that’s been going on almost since high school when it comes to friendships and patterns. Perhaps at least partially from getting caught by Scott Pilgrim in the middle of an intimate moment, Wallace suggests it’s time for Scott to find his own apartment - or at least stop sleeping on the floor, sharing a sleeping bag with a gay man (which whom he is not involved). Stephen Stills has a complicated journey in this volume as he outwardly seems transfixed on getting Sex Bob-omb’s album recorded by Joseph. However, he stops holding band practice and has been turning away gigs, perhaps because recording the album has made him realize the futility of his band ever getting anywhere, and wanting to move on. There’s also the reveal about why he’s gotten so close with Joseph which will either happen in the next volume or the last one. Kim finally moves out of the apartment she shares with women she hates and at the very least this represents her refusal to remain in a crappy situation.